Well – a few days ago, it was found out that the Australians also faked – not just one signer – but the entire orchestra! I thought this would make for an entertaining read.
We don’t need to get into the politics again… but I just wanted to follow up in case some of you missed the story…
image found at 世界军事论坛.
At the risk of being seen as running an excessive self and cross promotional campaign, I highly recommend all interested readers to check out ESWN’s take on some of the irresponsible media reports in this case, particularly the collection of quotes from various medias, and the latest comment on the “uneven teeth” meme such reports created. Roland is very gracious in claiming only to frame this very post, but I think his “re-framing” does a very effective job in making the point.
I should also point out some subtle but extremely damaging distortions introduced and propagated by the media reports that earned my ire. As reflected by a Chinese blogger on his second posting on this matter after listening to the entire interview of Chen (H/T to ESWN again):
陈音乐总监的说法被媒体断章取义了，或者说歪曲了。第一，陈没有说杨小朋友的形象不好，只是说林小朋友的形象最好；第二，陈说到国家利益，是指作出用最好的形象和最好的声音这样一种“双簧”的安排更符合国家利益，并不是指不让杨小朋友出镜是“国家利益”。
The words of Chen Qigang are used by the media out of context and are distorted. First, Chen did not say that Yang Peiyi was considered not good in appearance. He merely pointed out that Lin Miaoke was considered to have the best image. Second, when Chen talked about national interest, he was claiming that the national interest was served by combining the best stage presence with the best singing voice [to present the best perceived performance]. He did not mean that it was a matter of “national interest” to hide Yang Peiyi from the camera.
The Beijing Olympics opening ceremony was, by most accounts, a brilliantly choreographed and spectacularly executed performance worth of a gold medal of its own. There were a fair number of notable highlights, and many journalists certainly were not shy from exhausting all the synonyms of the word “stunning” in the thesaurus in describing those scenes.
High on many Chinese viewers’ list of the most moving moments, however, is one that might not be easily appreciated by foreign audiences. Early in the process, China’s national flag was brought into the Bird’s Nest and raised while an young girl in a red dress stood singing “Hymn to the Motherland”. This song is perhaps best explained as the equivalent of “God Bless America” and is similarly considered an unofficial national anthem by many. The simple lyric line
歌唱我们亲爱的祖国，从今走向繁荣富强。 “We sing to our beloved motherland, on her way towards prosperity and strength.”
captures the hope and pride of so many Chinese for so long in merely 17 characters.
Continue reading »
Recent Comments